I was talking shop with a close friend recently about OST composition (he’s an extraordinary musician, producer, and almost certainly one of my studio’s future composers) when he brought up a desire to compose a game soundtrack he would really enjoy listening to, even when he’s not playing the game. It’s a noble goal, and in fact, it immediately made me think of Extreme Paintbrawl (Head Games/Creative Carnage, 1998): a game most agree is greatly inferior to its own music.